Residence of the Late Blair Linnett

Irwin Terrace, Oxley

John Compton Organ Co., London, 1937, for A.B.C. Regal Cinema, Chester, England
Removed 1971 to storage at this location
Installed 1978 Blair Linnett
3 manuals, 6 ranks extended & percussion, electro-pneumatic action




Blair Linnett at the Compton console (1979)]
[Photograph from Ian McIver, 'Encyclopedia of Australian Theatre Organs']

 

Historical and Technical Documentation by Geoffrey Cox
© OHTA 2012 (last updated August 2012)

This theatre organ was built in 1937 by the John Compton Organ Co., London, for the A.B.C. Regal Cinema, Chester, England. It comprises six ranks extended over three manuals and pedals, together with percussion.1 This was Compton's Opus A412, and it was one of a number of similar instruments they built for the Associated British Cinemas (ABC) circuit in Britain.

The instrument was removed to storage at this location in 1971, and the initial assembly was undertaken by Blair Linnett between 1975 and 1978.2 It is located in the garage, which was extended for the purpose and sound proofed. The two chambers are hidden by a proscenium arch and curtain to resemble a theatre setting. Wind pressures were not altered, but the volume output was reduced by use of sound-absorbent materials lining the inside of the building, and by reducing the swell shutter area. The inaugural public performance on the instrument was given on Sunday 19 April 1981 by Arthur Midgley, one of Brisbane's most experienced and popular theatre organists.3



Arthur Midgley at the console of the Compton organ in 1978
[Photograph supplied by David Vann]

The console was fitted originally with a glass surround that was illuminated by multi-coloured lights from within. There was also originally a "Melotone" unit that supplemented the six ranks of pipes and produced additional stop colours (including pitched percussion) electronically. Neither the illuminated console surround nor the "Melotone" unit was imported with the organ.4

Apart from the tonal and non-tonal percussions and effects, the six ranks are divided between two chambers as follows:

MAIN CHAMBER
Diapason
Viola
Flute

SOLO CHAMBER
Tuba (extended to 16 ft)
Muted Trumpet
Tibia (metal; extended to 16 ft)

The complete specification is as follows:

GREAT
Contra Tuba
Contra Tibia Clausa
Contra Diapason (TC)
Tuba
Diapason
Tibia Clausa
Muted Trumpet
Viola
Flute
Clarion
Octave
Tibia Clausa
Violin
Flute
Twelfth
Fifteenth
Flautino
Tierce
Quartane
Xylophone
Glockenspiel
Orchestral Bells
*Marimba
*Vibraphone

Solo to Great

GREAT 2nd TOUCH
Solo to Great 16
Solo to Great 8
Accomp. Traps to Great


16
16
16
8
8
8
8
8
8
4
4
4
4
4
2-2/3
2
2
1-3/5
II
4
4
4
8
4








   
SOLO
Contra Tibia Clausa
Tuba
Tibia Clausa
Muted Trumpet
Clarion4
Tibia Clausa
Tibia Twelfth
Piccolo
*Melotone
*Melotone
*Melotone Twelfth
*Super Melotone
*Krummhorn
*Cor Anglais
*Chimes
Xylophone
Glockenspiel
Orchestral Bells
*Vibraphone

Sub Octave
Octave
Great to Solo
Unison Off


16
8
8
8
4
4
2-2/3
2
8
4
2-2/3
2
8
8

4
4
4
4






   
ACCOMPANIMENT
Contra Viola (TC)
Bourdon (TC)
Tuba
Open Diapason
Tibia Clausa
Muted Trumpet
Viola
Flute
Clarion
Octave
Tibia Clausa
Violin
Flute
Twelfth
Violetta
Flautino
*Marimba
*Marimba
Snare Drum
Castanets
Tambourine
Chinese Block
Tom Tom
Sleigh Bells
Sand Block
Triangle


16
16
8
8
8
8
8
8
4
4
4
4
4
2-2/3
2
2
8
4









   
ACCOMPANIMENT 2nd TOUCH
Tuba
Tibia Clausa
Tibia Clausa
Traps
Great to Accompaniment
Solo to Accompaniment
Solo to Accompaniment


8
8
4

4
8
4

   
PEDAL
Acoustic Bass
Tuba Bass
Tibia Bass
Tuba
Open Diapason
Tibia Clausa
Violoncello
Bass Flute
Flute
Bass Drum Tap F
Bass Drum Tap P
Bass Drum Roll
Snare Drum
Cymbal Tap
Cymbal Roll
Cymbal Crash
Triangle


32
16
16
8
8
8
8
8
4









   

PEDAL 2nd TOUCH
Traps

Accompaniment to Pedal
Great to Pedal
Solo to Pedal

   
EFFECTS
Siren
Auto Horn
Fire Engine
Steamboat
Train
Cymbal Roll
Cymbal Crash
Grand Crash
Snare Drum
Birds

   
EFFECTS BY STOPKEY
Surf
Aeroplane

   


Electro-pneumatic action
Tremulant - Tibia
Tremulant - Trumpet, Tuba
Tremulant - Main
Balanced swell pedal to Solo chamber
Balanced swell pedal to Main chamber
Balanced [General] Crescendo Pedal
Stopkeys are double touch with divisional cancel on second touch 8 thumb pistons to Accompaniment
8 double-touch combination pistons to Accompaniment
8 double-touch combination pistons to Great
6 double-touch combination pistons to Solo
3 combination toe pistons to Pedal.5

* Asterisked stops were derived from the eletrophonic "Melotone" unit, which was not imported with the organ.6

 

Further details of this instrument can be found at Ian McIver's Encyclopaedia of Australian Theatre Organs.

_________________________________________________________________________

1 Vox (December 1971), p. 5.

2 Personal communications to G. Cox from Blair Linnett, c.1975-78.

3 Notes by Blair Linnett in the Programme for the Inaugural Public Performance, 19 April 1981, during the 10th National Convention of TOSA (supplied by David Vann).

4 Notes by Blair Linnett, op. cit; Ian McIver, "Encyclopedia of Australian Theatre Organs," Theatre Organs under the Southern Cross

5 Specification from Programme for the Inaugural Public Performance, 19 April 1981, op. cit.

6 Details from McIver, op. cit.