Wesley Church (Uniting)

Lonsdale Street, Melbourne

Richard Nicholson, Rochdale, Lancs. 1842
3 manuals, 22 speaking stops, 4 couplers, mechanical action
Rebuilt Charles [J.C.W.] Nicholson 1861
Rebuilt and enlarged Robert Mackenzie 1873
3 manuals, 24 speaking stops, 6 couplers, mechanical action
Rebuilt and enlarged Fincham & Hobday 1892
3 manuals, 31 speaking stops, 12 couplers, tubular-pneumatic action
Rebuilt Geo. Fincham & Sons Pty Ltd 1957
3 manuals, 36 speaking stops, 15 couplers, electro-pneumatic action
Overhauled 1987 Michel Alcouffe after adjacent Russell Street bombing
Rebuilt and enlarged 1992-1998 Vernon Cresswell
3 manuals, 53 speaking stops, 18 couplers, electro-pneumatic action



Wesleyan Chapel, cnr Collins & Queens Streets, Melbourne
[engraving courtesy of State Library of Victoria (c.1847)]


Historical and Technical Documentation by John Maidment
© OHTA, 2021 (last updated October 2021)

 

The foundation stone of a substantial stone Wesleyan Chapel at the corner of Collins and Queen Streets, Melbourne was laid on 11 May 1840 and the building opened on 24 June 1841.1 The Richard Nicholson organ was installed here at the end of the following year.



Wesley Church, Lonsdale Street, Melbourne
[photograph courtesy of State Library of Victoria (c.1880)]

The present church building, in Decorated Gothic style, was designed by Joseph Reed. The foundation stone was laid on 2 December 1857 and the building opened on 26 August 1858.2 At the time of its construction, this was the most splendid church building in the colony of Victoria with elaborate carved stonework and impressive 175 ft tower and spire. The building contains notable windows by Brooks, Robinson and Napier Waller.


Richard Nicholson 1842



The Richard Nicholson organ photographed at Wesley Church, Melbourne
[photograph by Charles Nettleton, courtesy of State Library of Victoria (c.1868)]

The organ was opened on Monday 9 January 1843 with the performance of a Grand Oratorio.3 It was a comprehensive small three-manual organ with a four-tower case, typical of its maker.4 It included a Great chorus to four-rank Mixture, a Swell from Tenor C and a diminutive Choir Organ, although with a chorus to 2ft.

A description of the organ appeared in December 1842:

THE WESLEYAN ORGAN. — This noble instrument is at last erected in the organ gallery, which has been recently built for its reception, and, independent of its rich and racy tones, is altogether a very handsome piece of furniture. The instrument was furnished to order, by Nicholson, of Rochdale, a maker of no mean repute, and contains twenty-five stops, with two octaves of German peddles: it has also three distinct rows of keys for the swell, choir, and great organs:  and the manner in which it has been put up, redounds infinitely to the credit of Mr. Hurlestone and his compeers. It is the intention of the Wesleyan body to open this organ on the evening after Christmas day, with a grand oratorio, consisting of selections from the most celebrated sacred compositions of Handel, Haydn, and Mozart, the whole of which will be performed by the chapel choir, assisted by amateurs, who are now practising under the professional eye of Mr. Clark, the organist.5

The following specification was published in June 1861 and was clearly carefully prepared by an expert.

GREAT (from GG)
Open Diapason (large scale)
Open Diapason (small scale)
Stopped Diapason
Principal
Twelfth
Fifteenth
Sesquialtera
Trumpet
spare slide
Swell to Great


8
8
8
4
2-2/3
2
IV
8






wood








 
SWELL (from Tenor C)
Open Diapason
Stopped Diapason
Principal
Twelfth
Fifteenth
Trumpet
Hautboy


8
8
4
2-2/3
2
8
8

   
CHOIR (from GG)
Stopped Diapason
Dulciana
Principal
Flute
Fifteenth
Swell to Choir


8
8
4
4
2






TC



 
PEDAL (from CC)
[Open Diapason] wood
Pedals to Great
Pedals to Choir

16


   

Compass: 59/24
1245 pipes6

Rebuilt Charles [J.C.W.] Nicholson 1861

“The organ has been taken down and thoroughly repaired in all its parts. The sound-boards have had new leathered valves, all the interior mechanism renewed, the actions to the keys being replaced with new trackers and wires, and all the roller boards supplied with wooden arms in place of the old iron ones. The bellows have been entirely releathered, and valves added of a peculiar nature and adaptation to the colony: the introduction of which has been effected by Mr Charles Nicholson, son of the Bradford organ builder of that name. All the pipes, both of wood and metal, have undergone a thorough cleaning and repair, and have also been revoiced. A new set of pedals have been added on quite a new plan; with new back-fall and action. The coupling stops have also been renewed. The organ has been re-erected, and brought forward considerably into the church, and also slightly raised. The organ was formally opened by a grand vocal and instrumental performance. The organ was played by Mr G.R.G. Pringle, organist of St Peter’s.”7

Rebuilt & enlarged Robert Mackenzie 1873

The opportunity was also availed of to effect alterations and improvements in the organ which were greatly needed. The original compass of the instrument was GG to F, and now it is CC to G, fifty-six notes. It has been completely remodelled and great additions made, all the latest improvements being added. It now comprises: Great organ nine stops, of which two, double diapason and clarabella, are new; choir organ six stops, of which four are new viz. dulciana, viol da gamba, piccolo and clarinet; swell organ eight stops, two new, viz. double diapason and keraulophon, besides lower octave of six stops, the swell is enlarged from C go CC, new swell box, soundboards, &c; pedal organ extended from two octaves to two and a quarter octaves, thirty notes. New actions throughout, new keyboards, and draw stop action. Case enlarged and painted, and front pipes gilt… The total cost of the alterations has been £342.8

GREAT
Double Diapason
Open Diapason
Stopped Diapason
Clarabella
Principal
Twelfth
[Fifteenth]
Sesquialtera
Trumpet
Swell to Great
Choir to Great Sub Octave


16
8
8
8
4
2-2/3
[2]
[IV?]
8




new


new








 
SWELL
Double Diapason
Open Diapason
Stopped Diapason
Keraulophon
Principal
Fifteenth
Trumpet
Oboe


16
8
8
8
4
2
8
8


new


new





 
CHOIR
Stopped Diapason
Viol da Gamba
Dulciana
Flute
Piccolo
Clarinet


8
8
8
4
2
8



new
new

new
new

 
PEDAL
Grand Open Diapason 16
Great to Pedals
Swell to Pedals
Choir to Pedals

16



   

3 composition pedals to Great
3 composition pedals to Swell9

Rebuilt Fincham & Hobday 1892

The manual slider soundboards were overhauled, the compass of three Choir stops was completed, a new detached drawstop console was provided at a lower level and tubular-pneumatic action supplied throughout. Three additional Pedal stops were supplied and tonal changes made to the Great and Swell Organs.10

GREAT
Open Diapason I
Open Diapason II
Horn Diapason
Harmonic Flute
Principal
Clear Flute
Twelfth
Fifteenth
Trumpet
Clarion
Great Sub Octave
Great Super Octave
Swell to Great Sub
Swell to Great
Swell to Great Super
Choir to Great


8
8
8
8
4
4
2-2/3
2
8
4







   
SWELL
Double Diapason
Open Diapason
Stop Diapason
Keraulophon
Voix Celeste
Principal
Fifteenth
Mixture
Trumpet
Oboe
Vox Humana
Tremulant
Super Octave


16
8
8
8
8
4
2
II
8
8
8








TC









 
CHOIR (enclosed)
Stop Diapason
Viola da Gamba
Dulciana
Flute
Piccolo
Clarionet
Swell to Choir


8
8
8
4
2
8


   
PEDAL
Grand Open Diapason
Bourdon
Violoncello
Trombone
Pedal Octave
Great to Pedal
Swell to Pedal
Choir to Pedal

16
16
8
16




   

Tubular-pneumatic action
Detached drawstop console11

Rebuilt Geo. Fincham & Sons Pty Ltd 1957

This involved the conversion of the action to electro-pneumatic, the installation of a new detached stopkey console, and small tonal changes such as the provision of a Mixture to the Great Organ in place of the Horn Diapason, the provision of a Nazard to the Choir Organ in place of the Gamba, and the extension of the 1892 Pedal ranks to additional pitches.

GREAT
Open Diapason no 1
Open Diapason no 2
Claribel
Principal
Clear Flute
Twelfth
Fifteenth
Mixture
Trumpet
Clarion
Swell to Great Sub
Swell to Great
Swell to Great Super
Choir to Great Sub
Choir to Great
Choir to Great Super


8
8
8
4
4
2-2/3
2
III
8
4







   
SWELL
Double Diapason
Open Diapason
Gedact
Keraulophon
Voix Celeste
Principal
Fifteenth
Mixture
Trumpet
Oboe
Vox Humana
Tremulant
Sub Octave
Unison Off
Super Octave


16
8
8
8
8
4
2
III
8
8
8










TC











 
CHOIR (enclosed)
Stopped Diapason
Dulciana
Rohr Flute
Nazard
Piccolo
Clarinet
Tremulant
Sub Octave
Super Octave
Swell to Choir


Carillon


8
8
4
2-2/3
2
8








   
PEDAL
Open Diapason
Bourdon
Violone
Principal
Bass Flute
Viola
Octave Quint B
Fifteenth
Trombone
Great to Pedal
Swell to Pedal
Choir to Pedal

16
16
16
8
8
8
5-1/3
4
16




A
B
C
A
B
C
B
A




 

Compass: 61/32
Detached stopkey console
Electro-pneumatic action12

Foillowing the Russell Street bombing of the police headquarters, close to the church, in 1987 the instrument was badly affected by debris and dust. It was cleaned and revoiced by Michel Alcouffe, a French organbuilder then working in Melbourne.



Wesley Church, Melbourne – the galleried interior following restoration and organ
[photograph from Facebook]

Between 1992 and 1997, the instrument received a comprehensive rebuilding by Vernon Cresswell. Four additional ranks were added [+]. Little now remains of the Richard Nicholson organ apart from a handful of pipes and remnants of the original casework. The specification now reads as follows:

GREAT
Contra Salicional
Open Diapason I
Open Diapason II
Claribel
Principal
Clear Flute
Twelfth
Fifteenth
Tierce
Sesquialtera 12.17
Mixture 19.22.26
Trumpet
Trompette
Clarion
Super Octave
Swell Sub Octave to Great
Swell to Great
Swell Super Octave to Great
Choir Sub Octave to Great
Choir to Great
Choir Super Octave to Great


16
8
8
8
4
4
2-2/3
2
1-3/5
II
III
8
8
4









A







+
derived

B
C+









 
SWELL
Double Diapason
Open Diapason
Gedact
Keraulophon
Voix Celeste
Principal
Fifteenth
Mixture 12.15
Trumpet
Oboe
Vox Humana
Schalmei
Tremulant
Sub Octave
Unison Off
Super Octave


16
8
8
8
8
4
2
II
8
8
8
4






D



TC






+





 
CHOIR (enclosed)
Echo Bourdon
Stopped Diapason
Echo Diapason
Rohr Flute
Piccolo
Larigot
Clarinet
Tremulant
Trumpet
Trompette
Carillon
Sub Octave
Unison Off
Super Octave
Swell to Choir
Swell Super to Choir


16
8
8
4
2
1-1/3
8

8
8








D







B
C
(25 notes TG)






 
PEDAL
Sub Bass
Open Diapason
Bourdon
Violone
Echo Diapason
Principal
Bass Flute
Viola
Octave Quint
Fifteenth
Trombone
Tromba
Tuba Magna
Octave Tromba
Cornetin
Great to Pedal
Swell to Pedal
Choir to Pedal

32
16
16
16
16
8
8
8
5-1/3
4
16
8
8
4
2




+
E
F
A
D
E
F
A
A
A

B
C
B
C



 

Compass: 61/32
Detached stopkey console
Electro-pneumatic action13

+ added by Vernon Cresswell 1992-97


1 Garryowen, The Chronicles of Early Melbourne (Melbourne, 1888), pp.153-154

2 The Age, 27 August 1858, p.5 gives a comprehensive account of the building

3 Port Phillip Gazette, 11 January 1843, p.2

4 See James Berrow, The Making of an English Organ Builder: John Nicholson of Worcester (Reigate: BIOS, 2021) for examples at Whissonet, Norfolk and the Countess of Huntingdon’s Chapel, Worcester (1840)

5 Port Phillip Gazette, 3 December 1842, p.2

6 The Age, 18 June 1861, p.5. The specification given by E.N. Matthews is entirely erroneous but sadly it has been frequently quoted.

7 Ibid.

8 The Age, 30 May 1873, p.3

9 Ibid.

10 E.N. Matthews, Colonial Organs and Organbuilders (Carlton: Melbourne University Press, 1969), pp .188-189

11 Specification noted before 1957 by Dr Douglas Rankin

12 Specification noted 1966 John Maidment

13 The Organ in Wesley Church Lonsdale Street Melbourne [c.1998: leaflet]



Wesley Church, Melbourne – organ
[photograph from Pinterest]