Queensland Performing Arts Centre (QPAC)
Concert Hall
South Bank, Brisbane

Klais Orgelbau 1986, 4 manuals, 88 speaking stops, 13 couplers, mechanical action






Information from 1989 OHTA Conference handbook, CD program notes "Great Australiasian Organs II" (Priory PRCD 516) and Simon Pierce's website:

This instrument was built by Johannes Klais of Bonn, Germany in 1986 (opened in May 1987) for the Concert Hall designed by Brisbane architect, Robin Gibson. Robert Boughen O.B.E. was the consultant for the organ. This is a splendid example of a large modern eclectic concert hall organ with a large variety of stops whilst still having its own distinct Klais flavour. A second Principal 8' was added by Klais to the Great in 1988.

Hans Gerd Klais and Robert Boughen drew up the specification and the organ was designed by Klaus Fluegel. Theo Eimermacher voiced the organ. Guether Schumacher was the installation foreman. Of interest is the fact that this was the first organ that Philipp Klais worked on and helped him decide which career path to take. He is now in charge of the firm.




Specification

GREAT
Praestant
Rohrgedackt
Principal I-II
Doppelflöte
Gemshorn
Nazard
Octave
Nachthorn
Terz
Quinte
Superoctave
Mixtur
Acuta
Cornet (mounted)
Trompete
Trompette
Trompete
Clairon

SWELL
Bourdon
Geigenprincipal
Flöte Harmonique
Metallgedackt
Spitzgamba
Unda maris
Fugura
Flöte octave
Octavin
Plein jeu
Bassoon
Trompette Harmonique
Hautbois
Clairon harm
Tremulant
Cymbelstern
Nachtigall
Glockenspiel

POSITIV
Pommer
Praestant
Holzgedackt
Quintade
Bifaria
Principal
Rohrflöte
Octave
Waldflöte
Larigot
Sesquialter
Scharff
Cymbel
Dulcian
Solotrompete
Cromorne
Tremulant

TROMPETERIA
Tromp. Magna
Tromp. de Bat.
Orlos
Bajoncillo

16
16
8
8
8
5-1/3
4
4
3-1/5
2-2/3
2
VI
IV
V
16
8
8
4


16
8
8
8
8
8
4
4
2
VI
16
8
8
4



2


16
8
8
8
8
4
4
2
2
1-1/3
II
V
III
16
8
8



16
8
4
8

façade deom C to c#3
hammered, domed caps with chimneys

open, with 2 opposite mouths
stringy
cylindrical





2, 1-1/3, 1-1/3, 1, 2/3, 1/2
1, 2/3, 1/2, 1/3
fr. a0, mounted hammered 8, 4, 2-2/3, 2, 1-3/5
Schnitger, with wide shallots, brass plated
Clicquot, French blocks, fr. f# 2 rks flues
Schnitger, from f#3 2 rks flues
Clicquot, French blocks, fr f#3 3 rks, flues




overblowing from f#
hammered, dome caps
wide
from c-0, flute-like, low beating

overblowing from f#
overblowing
2-2/3, 2, 2, 1-1/3, 1, 2/3
C-B 8' length, French blocks frlom c1
French blocks from c0, from f#3 2 rks flues
French, from f#3 2 rks flues
French blocks, from f#3 rks flues






hammered
façade from C to a0

domed caps
from c0, low-beating, principal style

hammered, domed caps with chimneys



2-2/3, 1-3/5
1-1/3, 1, 2/3, 1/2, 1/3
1/2, 1/3, 1/4
Renaissance style
soloistic, yet blending, from f#3 2 rks flues
French baroque, from f#3 2 rks flues



en chamade
en chamade
en chamade
en chamade
SOLO
Salicional
Rohrflote
Gamba
Fernflote
Vox Coelestis
Blockflöte
Salicet
Nasard
Flageolett
Terz
Sifflet
Harmonic Aetheria
Clarinette
Schalmey
Vox humana
Tremulant

PEDAL
Praestant
Untersatz
Principal
Subbass
Contrabass
Octave
Trichtergedact
Cello
Superoctave
Koppelflöte
Jubalflöte
Hintersatz
Pedalmixture
Aliquot
Contraposaune
Bombarde
Posaune
Trompette
Holztrompete
Schalmey
Tremulant

COUPLERS
Positiv - Great
Swell - Great
Solo - Great
Swell - Positiv
Solo - Positiv
Solo - Swell
Trompeteria - Great
Trompeteria - Solo
Trompeteria - Pedal
Pos - Pedal
Great - Pedal
Swell - Pedal
Solo - Pedal










16
8
8
8
8
4
4
2-2/3
2
1-3/5
1
III
8
8
8



32
32
16
16
16
8
8
8
4
4
2
V
IV
IV
32
16
16
8
8
4


























C-B stopped, offset from chest
domed caps with chimneys
S-beards

from c0, beating higher






2-2/3, 2, 1-3/5
English, from f#3 2 rks flues
from f#3 2 rks flues
typical Cavaillé-Coll from f#3 2 rks flues



façade from E to f0

façade from C to A

open from C

hammered, domed caps funnel shape



with 2 mouths
4, 2-2/3, 2, 1-1/3, 1
2, 1-1/3, 1, 2/3
5-1/3, 3-1/5, 2-2/7, 2
16' length


Clicquot
Soloistic
Soloistic



+





+
+














Couplers with optional mechanical coupling (+) electric

Compass 61/32


Great and pedal combinations coupled

Cymbelstern with 7 bells - c#2, e2, a2, c#3, e3, a3, c34

Nachtigall with 2 pipes g3 + c4

Above two have stop knobs but can't be programmed with the capture system

105 stops

40 General combinations levels

Thumb Pistons:
8 each to Solo, Swell, Great, Positiv. 8 Generals (under Great manual) A - H.
Setter
General Cancel

Toe studs:
8 General combinations (40 listed in CD program booklet)
8 individual pistons for Pedal
Tutti

Reversible couplers: Toe studs and thumb pistons
Positiv to Great
Swell to Great
Solo to Great
Tromp. to Great
Trompt. to Pedal
Positiv to Pedal
Great to Pedal
Swell to Pedal
Solo to Pedal

Crescendo Rollschweller with indicator and on/off pedal switch

Balanced Swell and Solo pedals with indicators

Switch for electric blower combined with pedalboard light

Console: attached, Cavaillé-Coll style

Mechanical key action
Electric stop action

Pedalboards:
(1) German radiating concave or
(2) German flat, straight

Adjustable organ bench

6,566 pipes


















Photos: Trevor Bunning (Oct. 2007)