The Cathedral Church of Christ the King
Duke Street, Grafton

Hill, Norman & Beard 1903

Built 1903, rebuilt in 1967 for the Auditorium of the Royal College of Organists in London -
refurbished and re-erected in Grafton Cathedral in 1992 by Peter D.G. Jewkes Pty Ltd of Sydney



Photo: Trevor Bunning (Aug 2010)

                         
From the Grafton Cathedral website http://www.graftoncathedral.org.au/:
                        
History of the Organs

The first organ was installed in Christ Church Cathedral in 1884 at a cost of 450 pounds.  It was a small instrument of 2 manuals and pedals built by George Fincham of Melbourne, a noted organ builder of the time and founder of a firm still building organs in Victoria.
 
Packed in five crates the organ was sent to Grafton by ship.  The installation was carried out by the organist, Mr Mitchell, and in the Cathedral archives are charmingly pedantic letters from Mr Fincham instructing him exactly how he was to accomplish this task, even down to the fine details of removing the crates from ship to Cathedral.
 
The organ was erected on the North side of the chancel in the third arch of the present chapel and dedicated for worship on September 2nd, 1884 by the Bishop of Grafton and Armidale, the Right Reverend James Turner.
 
Operated by mechanical action, the organ had 15 stops in all while provision was made for a special indicator so that the operator of the hand bellows could keep a constant supply of wind.
 
When the Cathedral was enlarged in 1934 the instrument was moved to the opposite side of the choir in the large arch and chamber now occupied by the clergy vestry.


 
The late 1950's found the organ in very poor condition, parts even tied up with string, and clearly inadequate for the size of the completed Cathedral.  Under the guidance of Mr Ray Matchett, the Cathedral Organist, some additions and electrification of the action were carried out by Hr H J Jarrott of Brisbane and dedicated on September 3rd, 1962.
 
Due to lack of funds these additions fell short of Mr Matchett’s vision and the instrument was still too small for the size of the building.  As a memorial to Mr Matchett and the Diocesan Registrar, Mr Arthur Singleton, further additions were made through the efforts of the Technical College Choral Group.
 
A thorough assessment of the organ, as part of the 1984 Cathedral Restoration, made it clear that band-aid solutions could no longer suffice; its condition, its inadequate size and site were such that the considerable expense required to rectify these problems could not be justified.
 
The Restoration Committee appointed an Organ Sub-committee to examine the question of a replacement organ and its placement in the archway on the North side of the choir.  John Horbury Hunt, the Architect who designed the Cathedral, had marked this as the chamber for the organ on his original plans.
 
The search for a suitable instrument continued and in 1990 the Royal College of Organists accepted Grafton Cathedral’s tender for the purchase of its organ situated in the auditorium of the Exhibition Building next door to the Royal Albert Hall in London.  The instrument had become redundant as the College was relocating to new premises which already had a fine organ.
 
Peter Jewkes and Co., organ builders of Sydney undertook the contract to have the instrument dismantled, packed, shipped to Australia, refurbished and re-erected in the Cathedral.
 
The principal of the firm, Mr Peter Jewkes, was very helpful to the Committee in its search for a suitable instrument and his expertise and dedication proved invaluable.
 
The task of dismantling and packing was undertaken by Paul Pickerill of Birmingham.  Like its predecessor this organ also came by sea, arriving in two large steel containers in December 1990.
 
Built originally in 1903 by English firm, Norman and Beard, the instrument had been enlarged in 1931 and then completely rebuilt with many additions in 1967 by Hill, Norman and Beard.  It was used by the college for recitals and for the examination of candidates for College diplomas.
 
The organ has 3 manuals and pedals and 37 speaking stops with a full range of couplers allowing the divisions to be joined together for extra versatility.  A feature is that all speaking stops are individual ranks - there are no “extensions” or “borrowing”.
 
The whole organ is laid out in a visible arrangement.  Pipes are of “spotted” and plain metal, copper, tin and brass; the wooden pipes are high grade spruce.  The console is polished African Afrormosia.  The action is electric and electropneumatic while the controls incorporate the most modern solid state equipment.  The swell division is enclosed in a chamber with shutters which can be opened and closed allowing expressive effects.
 
This instrument not only fulfils its prime function of accompanying the liturgy for both Parish and Diocesan occasions but it it also excellent for accompanying choral work.  For recitals its versatility satisfies the requirements of most schools of organ literature and already it has attracted the interest of many well known and respected organists in Australia and from overseas.
 
In February 2005, a large trumpet type solo reed stop (“Tromba Graftoniensis”) was added to the choir division by Dr Richard Vesey, sometime Chapter Clerk.  This addition will broaden the range of available solo stops as well as adding weight to the total ensemble.


Present organ showing new Solo reed (Robert Eather)



The specification is: 

Great Organ
Bourdon   
Open Diapason
Stopped Diapason
Octave  
Chimney Flute  
Wald Flute 
Mixture   
Trumpet    
 
Swell Organ (enclosed)
Flûte à cheminée 
Viole de Gambe
Viole Celeste  
Principal 
Flute Ouverte 
Nazard
Quarte de Nazard 
Tierce  
Mixture 
Basson  
Hautbois 
Trompette 
Tremulant
 
Choir Organ (unenclosed)
Salicional  
Singendgedackt  
Spitz Flute 
Principal  
Larigot  
Sesquialtera  
Scharf   
Krummhorn  
Tromba Graftoniensis   
Tremulant
 
Pedal Organ
Principal  
Sub Bass  
Contra Gamba 
Octave
Gedackt  
Choralbass  
Mixture    
Posaune     
Rohrschalmei     

Couplers
Swell to Great
Choir to Great
Swell to Choir
Swell to Pedal
Great to Pedal
Choir to Pedal

16
8
8
4
4
2
IV
8


8
8
8
4
4
2-2/3
2
1-3/5
III/IV
16
8
8



8
8
4
2
1-1/3
II
IV
8
8



16
16
16
8
8
4
III
16
4








 
Accessories
Thumb Pistons
5 Adjustable pistons to Great
5 adjustable pistons to Swell
5 adjustable pistons to Choir
10 adjustable pistons to all stops
1 Swell to Choir
1 Choir to Great
1 Great to Pedal
1 Swell to Pedal
1 Choir to Pedal
1 General Cancel
 
Toe Pistons
5 to Pedal
5 to Swell
1 Swell to Great
1 Great to Pedal
1 Pedal Posaune
2 kick pedals - Great to Pedal (left)
                Swell to Great (right)
 
Piston Couplers
Great and Pedal pistons coupled
General pistons on Swell toe pistons
Pistons adjustable by capture system
 
Accessories to the Organ
Electric metronome
Tremulant speed control

Compass:  Manuals CC-c, 61 notes
                  Pedals CCC-g, 32 notes



































Photos above: Trevor Bunning (Aug 2010)

 











Historic photos: Robert Eather (Cathedral Organist) 2006