p5 {to be added}

p6

p7

Scaling and voicing information

Nicking

Nicking in the larger pipes:
Plate 11 Nicking pattern for large metal pipes
In the smaller pipes, this changes fairly abruptly to:
which gradually changes into the following for the very small pipes:

Inscriptions

A, A#, B and C pipes are labelled, A, B, , and C respectively.

Several pipes have the Job number of 2055 written on with Indian ink.

Other inscriptions are as follows:

GREAT
Open Diapason 8 ft (large)		"2055"on c2 pipe
Open Diapason 8 ft		on c1 pipe
Principal 4 ft
Twelfth 3 ft		Plate 4
Fifteenth 2 ft
Mixture III
SWELL
Open Diapason 8 ft
Principal 4 ft
Fifteenth 2 ft
Mixture III (all on the c0 pipes)

Wooden and wide-scaled ranks

Each of the above ranks is full compass. Apart from that, many divergences are present from one rank to another, with fw marked similarities. Further details are as follows:

All wooden pipes have feet circular in cross-section.

Bevelling at the top of wooden pipes only occurs with the open pipes of the Choir Suabe Flute 4 ft. (c0-g3) and Great Hohlflute 8 ft (c0-g3). In the latter case, this is only slight.

The mouth is always siutation on the small side, except with pipes square in cross-section, where no appreciable difference exists.

Shapes of stoppers

GREAT
Hohlflute 8 ft	C-B
SWELL
Bourdon 16 ft	C-b0
	c1-g3 Plate 16
Stopped Diapason 8 ft	C-f0
	f#0-g3 Plate 17
CHOIR
Lieblich Gedact 8 ft	C-G Plate 20
	G#-B Plate 20
	c0-g3 (metal) Plate 20 This is the only rank where stoppers are pierced from c0-b2 Plate 19
Suabe Flute 4ft	C-B Plate 16
PEDAL
Bourdon 16 ft	C-B Plate 16

Workmanship of mouth
(Refer to Glossary)

GREAT
Hohlflute 8 ft	C-B level ears	Plate 13
	c0-g3 Plate 12
SWELL
Bourdon 16 ft	C-B protruding ears c0-g3 level ears Plate 16
Stopped Diapason 8 ft	All have level ears Plate 17
CHOIR
Lieblich Gedact 8 ft	C-B (wood) level ears	Plate 21
Suabe Flute 4ft	C-B level ears Plate 23
	c0-g3 inverted mouths Plate 22
PEDAL
Bourdon 16 ft	C-B protruding ears with horizontal front beards c0-f1 have level ears Plate 24
Open Diapason 16 ft	All have level ears
Violoncello 8 ft	C-f0 protruding ears f#0-f1 level ears	Plate 25 RH pipe Plate 25 LH pipe

Scaling and voicing information

GREAT		External dimensions	Material thickness	Internal dimensions	Reln. to Töpfer index (only metal pipes)	Nicking
Hohlflute 8 ft (excl. c0)	C c1 c2 c3	106 x 122 49 x 49 35 x 35 25 x 25	14.0 7.5 6.0 5.0	78 x 94 34 x 34 23 x 23 15 x 15
Harmonic Flute 4 ft	C c0 c1 c2 c3	Diam ext. 75.0 45.5 42.0 24.5 15.0	1.0 0.8 0.7 0.6 0.5	Diam int. 73.0 43.9 41.6 23.3 14.0	-5.5 -5 -6.5 -8 -7.5
SWELL
Bourdon 16 ft	c0 c1 c2 c3	86 x 105 54 x 68 42 x 52 29 x 34	24 9.5 7.5 6	38 x 57 35 x 49 27 x 37 17 x 22	49.5 x 60 32 x 38.5 21 x 26 12 x 15
	c0 c1 c2 c3	68.5 x 79 47 x 53.5 33 x 38 22 x 25	9.5 7.5 6 5	49.5 x 60 32 x 38.5 21 x 26 12 x 15		(All)
CHOIR
Lieblich Gedact 8 ft	C c0 c1 c2 c3	70 x 90 Diam ext. 54.5 32.5 19.0 12.5	13 1.0 0.8 0.5 0.4	44 x 53 Diam int. 52.5 30.9 18.0 11.7	wood -1 -1.5 -2 +0.5
Suabe Flute 4 ft	C c0 c1 c2 c3	54 x 68 44 x 50 31 x 35 23 x 27 18 x 21	9 8 6 5 4	36 x 50 28 x 34 19 x 23 13 x 17 10 x 13
PEDAL
Open Diapason 16 ft	C c0 c1	355 x 333 (sic) 212 x 243 130 x 150	33 22 16	289 x 267 168 x 199 98 x 118
Bourdon 16 ft	C c0 c1	158 x 175 100 x 120 65 x 80	17 16 10	124 x 100 45 x 55 24 x 34
Violoncello 8 ft	C c0 c1	111 x 130 65 x 75 40 x 50	15 10 8	81 x 100 45 x 55 24 x 34

Inscriptions

A, A#, B and C pipes always labelled, A, B, , and C respectively. (Plates 12 & 22)

Other inscriptions as follows:

GREAT
Hohlflute 8 ft	Note designation only. e.g.	Plate 12
Harmonic flute 4 ft
SWELL
Bourdon 16 ft		Plate 15
Stopped Diapason 8 ft		Plate 17
CHOIR
Lieblich Gedact 8 ft
Suabe Flute 4 ft		Plate 22
PEDAL
Open Diapason 16 ft	Note designation only e.g.
Bourdon 16 ft
Violoncello 8 ft	Note designation only e.g.	Plate 25

NB A very high quality of workmanship of evident on all wooden pipes.

The Narrow-scaled ranks

Each of the above ranks consists of open flue pipes - no arched mouths being present. Further details are as follows:

SWELL		Ext. diam.	Metal thickness	Int. Diam.	Relationship to Töpfer index	Nicking
Salicional 8 ft	c0 c1 c2 c3	57.5 24.0 21.0 13.5	0.8 0.6 0.4 0.4	55.9 33.9 20.2 12.7	-11.5 -11 -11 -10
Voix Celeste 8 ft	c0 c1 c2 c3	57.7 35.0 21.0 13.5	0.8 0.5 0.4 0.4	55.9 34.0 20.2 12.7	--11.5 -11 -11 -10
CHOIR
Dulciana 8 ft	C c0 c1 c2 c3	98.5 55.5 33.0 20.5 17.5	1.0 0.8 0.5 0.4 0.3	96.5 53.9 32.0 19.7 16.9	-11 -12.5 -12.5 -11.5 -3(?)
Gamba 8 ft	c0 c1 c2 c3	60.5 37.0 21.5 14.0	0.8 0.5 0.5 0.4	58.9 36.0 20.5 13.2	-10.5 -10 -11 -9

Inscriptions

As with all other ranks, A, A#, B and C pipes always labelled, A, B, , and C respectively.

Other inscriptions as follows:

SWELL
Salicional 8 ft		on c2 pipe
Voix Celeste 8 ft		on c2 pipe
CHOIR
Dulciana 8 ft		on c2 pipe
Gamba 8 ft		on c2 pipe

The Reeds

Inscriptions

A, A#, B and C pipes are labelled, A, B, , and C respectively.

Other inscriptions as follows:

GREAT	Posaune 8 ft	and a note designation
SWELL	Horn 8 ft	and a note designation
	Oboe 8 ft	Note designation only
CHOIR	Clarionet 8 ft	Note designation only
PEDAL	Trombone 16 ft	Note designation only